The idea that Nature is full
of 'fractal' configurations was first put forward and investigated by Benoit Mandelbrot in 1977. A fractal structure has

*scale invariance*and*self-similarity*: It looks the same ('self-similar') at just about any level of magnification or change of scale. This is a consequence of the fact the same 'local rule' is in operation everywhere for the time or space evolution of the system.
The
famous

*Koch's snowflake*illustrates the point. The recipe (local rule) for creating it is very simple. A fractal object has an '*initiator*' and a '*generator*'. In the figure below the initiator is an equilateral triangle, shown in the top left corner.
For obtaining
the generator, we partition each side of the triangle into three equal parts,
remove the middle one-third, and replace the gap so created by two segments of
the same length as the other segments in the form of a peak (i.e., we add an
equilateral triangle at each gap). The resulting form is shown on the top right
corner in the figure above.

This process
can be repeated indefinitely, applying the generator procedure to each straight
segment. The next two iterations are shown in the lower half of the figure.

Koch's
snowflake looks complex, but has an underlying simplicity, once we have
identified the generating mechanism. The self-similarity exhibited by chaotic
dynamics (cf. Part 35), as also by
other fractal patterns, points to the sameness of the underlying causes

*at all length scales*. No wonder, an enormous number of natural entities have fractal shapes. The picture below (of a Romanesco broccoli) is an example.
Each time new triangles are added to the Koch
snowflake figure, the length of the line increases. And yet the inner area of
the curve remains less than the area of a circle drawn around the original
triangle.

*It is a line of infinite length surrounding a finite area.*
The word 'fractal' and the notion of '

*fractal dimensions*' were introduced to reflect this fact. The fractal dimension of the Koch snowflake is calculated to be ~1.26. The curve is coarser than a 1-dimensional smooth curve. Since it is more crinkly, it is better at taking up space. However, it is not as good at filling up space as a square (a 2-dimensional object). So it makes sense that the dimension of the Koch curve is a fraction, somewhere between 1 and 2.
Atmospheric phenomena have chaotic character (cf. Part 35). Their complexity is well-illustrated by our
inability to make long-term predictions about weather with a high degree of
reliability. As stated in Part 35, the chaotic nature of these phenomena was
first discovered by Lorenz when he was
investigating a coupled system of ordinary differential equations, using a
simplified model of 2-dimensional thermal convection, namely the so-called 'Rayleigh-Bénard
convection'.

The equations
Lorenz formulated for weather phenomena are now called

*the Lorenz equations*. There are three control parameters in the equations, usually denoted by σ,*r*, and*b*.
Suppose we take σ = 10.00 and

*b*= 2.67, and let*r*be the variable control parameter. It is found that there is a critical value of*r*, namely*r*= 24.74, at which there is a sudden change of behaviour. Below this value the system decays to a steady non-oscillating state, i.e. there is a stable 'fixed point' or attractor in phase space. For_{c}*r*>*r*, continuous oscillatory behaviour is observed._{c}*r*= 28.00 produces aperiodic behaviour or '

*deterministic nonperiodic flow'*; in other words, chaos. The corresponding attractor is a

*strange attractor*. The phase-space trajectories evolve around two distinct lobes.

The Lorenz strange attractor has an extremely complex
structure. A further increase in the value of

Computer-generated

*r*causes a series of reverse bifurcations in phase space; i.e., the system moves back from chaotic orbits to periodic orbits.Computer-generated

*fractal art*is a truly beautiful offshoot of the science of fractals.
I enjoyed reading your blog. I have started a fractal blog based on my thesis "the Art of Fractals for the Mathematically Challenged". Check it out: intothefractalvoid.blogspot.com

ReplyDeleteThanks Mary. I have now included a reference to your blog in this post ('fractal art').

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